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More than a week ago, we reported that Mere Raho, starring Junaid Khan and Sai Pallavi, would not be released on April 24 as planned earlier. Bollywood Hungama now brings you more information about the film and its release. A source told Bollywood Hungama, “Earlier, the film was titled Ek Din, after which the makers decided to rename it as Mere Raho. However, now, they have gone back to the title of Ek Din.” The source further said, “The film will release on May 1, 2026. A teaser, which is around 1.11 minutes long, was recently passed by the Central Board of Film Certification (CBFC). It has been attached with the prints of this week’s release, Happy Patel: Khatarnak Jasoos. This comic caper, like Ek Din, is also produced by Aamir Khan Productions.” Ek Din will now clash with Riteish Deshmukh’s ambitious period drama, Raja Shivaji. It features the talented actor in the lead role and he’s also joined by Genelia Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedek...

Trump Snaps On Camera After Heckler’s ‘Pedophile Protector’ Shout from Entertainment - Videos - The Times of India https://ift.tt/UxRGobS

The comic caper Rahu Ketu, starring Pulkit Samrat, Varun Sharma, Shalini Pandey, Piyush Mishra, Chunky Panday, Amit Sial, Manu Rishi Chadha and Sumit Gulati, is all set to release on Friday, January 16. Earlier in the week, the makers completed the censor process on time. In this article, Bollywood Hungama will exclusively focus on the cut list. The Central Board of Film Certification (CBFC) passed the film with a U/A 16+ certificate. However, they asked the makers for a few changes. In a scene, a dialogue was replaced. The drug sniffing and snorting visuals were asked to be replaced with appropriate shots wherever they occurred in the film. The middle finger was asked to be modified to the pinky finger whenever shown in the movie. All alcohol brand names were asked to be removed. That's not all. The makers were asked to submit an authentication letter for the Sanskrit Shloka used in the film. Lastly, the Examining Committee asked the makers to replace 'Kantara film music (vo...

Timothy Busfield Admitted It Was ‘Highly Likely’ He Touched Kids On Set, Warrant Claims from Entertainment - Videos - The Times of India https://ift.tt/yeRuAXL

Boman Irani is back as Kishan Khurana — a character that continues to live rent-free in the hearts of audiences. The actor recently shared a picture from the sets of Khosla Ka Ghosla 2 with Anupam Kher and Ranvir Shorey, and one line was enough to trigger instant nostalgia: “Aap Party Hai Ya Broker?” The moment served as a reminder of why the film remains a cult favourite even today. Stepping back into Kishan Khurana’s shoes, Boman reunites with Anupam Kher’s Kamal Khosla and Ranvir Shorey’s Bunty, recreating the magic of a trio that audiences have cherished for years. Kishan’s sharp humour, confidence, and everyday cleverness were among the most memorable aspects of the original film, making Boman’s return particularly special.   View this post on Instagram   A post shared by Boman Irani (@boman_irani) The on-set reunion has sparked excitement among fans and film lovers alike, with expectations high for the sequel to retain the heart, humour, and relatability that define...

Aamir Khan and filmmaker Rajkumar Hirani’s much-anticipated Dadasaheb Phalke biopic has seen a shift in its production timeline. While the project was earlier expected to go on floors in January 2026, the makers are now planning to begin filming in late March 2026. In September 2025, Mid-Day had reported that the film was gearing up to roll early next year, with Khan reportedly moved to tears while revisiting key moments from Phalke’s life. However, plans have since changed as the actor-director duo have decided to further refine the screenplay before taking the film on set. According to industry insiders, a fresh draft of the script is currently being developed, one that aligns with both Hirani and Khan’s creative vision while doing justice to the journey of Dhundiraj Govind Phalke, widely regarded as the Father of Indian cinema. The intent, sources say, is to ensure that the narrative resonates with contemporary audiences without compromising on historical authenticity. A source t...